'The Tv Studio Production Handbook'
'The Tv Studio Production Handbook'
Brown, L. and Duthie, L. (2016). The TV studio production handbook. 1st ed. London: I.BTauris & Co. Ltd.
(Brown and Duthie, 2016)
Keywords:
Interactivity
Primetime
Commissioning editor
channel controller
broadcasting:
Social Media
-you have freedom to post what you want when you want
Online streaming:
QUOTES:
'in the UK, the traditional way is to get a broadcaster (such as ITV, BBC, Channel 4, Sky etc) to fund your productions before you begin filming.'(Brown and Duthie, 2016, p.29)
'Daytime programs typically receive smaller budgets than prime time evening shows.' 29
Brown, L. and Duthie, L. (2016). The TV studio production handbook. 1st ed. London: I.BTauris & Co. Ltd.
(Brown and Duthie, 2016)
Keywords:
Interactivity
Primetime
Commissioning editor
channel controller
broadcasting:
Social Media
-you have freedom to post what you want when you want
-You will have to fund yourself
QUOTES:
'in the UK, the traditional way is to get a broadcaster (such as ITV, BBC, Channel 4, Sky etc) to fund your productions before you begin filming.'(Brown and Duthie, 2016, p.29)
'Daytime programs typically receive smaller budgets than prime time evening shows.' 29
Commissioning editors fills the brief set by a channel controller. They are the conduit between controller and production company. 29
'there are digital possibilities to host your own programs, such as Netflix, Amazon Prime, as well as films produced just for the web on Youtube and Vice- these are less restrictive as they online, taking away the necessity of a tight schedule.'
for example, Jeremy Clarkson producing a competitive high budget car show against the former BBC one.
'There is nothing stopping you creating your own online channel to stream your content- although you will be funding this yourself.'
'Because of the way which children can access shows on multiple platforms, on Iplayer and via youtube from all over the world, they are making their own schedule... this making a lot more Uk shows watched.' (Brown and Duthie, 2016, p.72)
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